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Motion Photography

Free imaginations in mind.

Timelapse Photography

Amit Badlani

Our surroundings are always moving and evolving - be it the facinating 'fog' of San Francisco or the 'hustle-bustle' of Singapore. Facinated by all this motion surrounding us, I've always wanted to capture it through my camera lens.

San Francisco - I've followed the San Francisco fog for over three years now, to capture the magical interaction between the soft mist, the ridges of the California coast and the iconic Golden Gate Bridge. Above you'll see a glimpse of these moments.

In 2015, I got an opportunity to travel to Southeast Asia. There I was greeted with a different culture and lifestyle. I immediately set out to capture these surroundings and contrast them with those of San Francisco.

I hope you enjoy watching these beautiful motion photography segments as much as I enjoyed creating them.

Rush-Hour

Rush Hour depicts the hustle-bustle in the beautiful island country of Singapore. The movement of people, cars and boats is perpetual. It's what keeps this place alive. In Singapore, every hour of the day is rush hour. During my three-month business stint in Singapore, I experienced the breathtaking architectural marvels and diverse culture the country is home to. It was beautiful as well as chaotic in many ways. I wanted to capture this bewitching chaos through the lens of my camera. Hence, "Rush Hour" was born.

Music

The music in the film is from Blake Ewing's album 'Abundance'. Blake's 'Across the Sea' is fantastic and sets the tone for the film perfectly.

Mystic City

Mystique captures the soul of Kuala Lumpur's Petronas Twin Towers, as seen from the famous Infinity Sky Pool. The film celebrates the power and beauty of light -- the reflections off of the towers day in and day out almost makes them seem alive.
It took 10 hours and more than 13000 shots to capture a glimpse of this phenomenal dance of light.

Music

The music in the film is from Blake Ewing's album 'Dressed'. Blake's 'Fault Line' was a great fit for the pace of the film.